Via Scandalwomen

08.23.14 ♥ 0
08.23.14 ♥ 134341

ANY OTHER ANTIBLACK NARRATIVES —-> RT @ncasenmare: Regarding the #Ferguson narrative…

08.19.14 ♥ 2

They see challenges as opportunities Most people interpret fears as obstacles and tend to run away from them. People who live their purpose successfully have developed the capacity to see fear as a sign of what they really need to go for and put all their courage and energy into […]

Two generations later, writers are still deconstructing Heinz’s work to figure out how he got everything so right. And we return to “Death of a Racehorse” because it is about economy, precision, and restraint. And it was written on deadline. Jeff MacGregor, who wrote a memorable piece about Heinz for Sports Illustrated, once called the column, “the Gettysburg Address of sportswriting. A run of words so slender and moving that nothing can be added or taken from it.”

08.06.14 ♥ 0


Largest amount of swag I have ever witnessed

07.30.14 ♥ 829857


i need this, we all need this

07.18.14 ♥ 1609







"Fuck You, Old People" — Group Piece at CUPSI 2014

"By the way, you can’t actually pick yourself up by your own bootstraps. That’s now how physics works."


this gives me life….

"Act your fucking age" god damn, this has a good message here.

39 seconds in and I reblogged it


07.16.14 ♥ 125264


Work harder. Dream BIGGER. #EBONYinspires #MotivationalMonday #quotes

07.14.14 ♥ 18



“BLACK AMERICANA:  The Photo-Essay” 

Vol. 1 - Island in the Sun

“Black Americana” is a four part photo-essay presenting a commentary on Black American life and patriotism.

When we weren’t marching, dodging fire hoses, and police dogs biting at our brown skin – when we weren’t singing songs of freedom, and training how to peacefully resist in southern sit-ins, we were doing what other Americans did – we went to the beach. “Island in the Sun”, a first installment in the ground-breaking series “Black Americana” re-introduces, and reclaims the image – the representation of free Black women and men living their lives openly and beautifully. The series seeks to offer a broader lens of Black American life not often seen – a restoration of Black bodies on a summer day in 1950’s America. “The beach setting is significant.” says Brandon Littlejohn, Creative Producer of “Black Americana”. “Beaches are visually associated with affluence in urban areas because of Black people’s limited access.” Littlejohn continues, “I wanted to capture Black young women and men in these spaces, because after all, this was a reality for Black people during this time.” This is the other side of the southern Black domestic worker; the other side of the Black male porter. This too was Black American life, in all of its splendor.

- Geneva S. Thomas

Creative Producer - Brandon Littlejohn

Photographer - Rod Gailes OBC

Wardrobe Design - Jamari Walker

Makeup Design - Dominique Jenelle

Hair Design - Shirlonda Brailsford

Casting - Latrice Davis

Women’s Bathing Suits designed by D’ Angelo Scott

Models - (Tope Alabi, Desmond Amofah, Ngozi Assata, Tradell Hawkins, Stephanie Kyereme, Titilayo Mutushi, Robert Vance)


Creative Producer, Brandon Littlejohn, and Photographer, Rod Gailes OBC, are collaborating to create a brilliant four-part photography series that showcases classic American settings through an Afro-Elite lens. The “Black Americana” series encourages African Americans to challenge societal messages about Blackness, while aspiring to higher levels of art and education on their own terms. Creating opportunities in the creative industry via a collective effort and artistically challenging the way African Americans have been conditioned to see themselves are two main goals of the “Black Americana” series. 

-Taylor N. Lewis

07.14.14 ♥ 5510